Marque-page (Bookmark), Jennifer Caubet, 2023, exclusive edition

Laser-cut stainless steel, polyester wire and lead, 5 x 19 x 0,1 cm
edition of 20
Marque-page (Bookmark), Jennifer Caubet, 2023, exclusive edition
Laser-cut stainless steel, polyester wire and lead, 5 x 19 x 0,1 cm
edition of 20
Revue Faire, Season 2, 2019-2021
English/French
20 pages and sometimes more, 210 × 297 mm
CMYK or sometimes more, Saddle stitched binding
Design: Syndicat
7€ per issue or 90€ the subscription
English/French
20 pages and sometimes more, 210 × 297 mm
CMYK or sometimes more, Saddle stitched binding
Design: Syndicat
7€ per issue or 90€ the subscription
nº 16 — A reproduction: what El Lissitzkzy wants. Author: James Langdon
nº 17 — An acronym: ACAB. Authors: Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz and Julie Martin
nº 18 — A studio visit: the studio of Ines Cox. Authors: Manon Bruet and Julia Andréone
nº 19 — A history: graphic designer-publishers. Author: Thierry Chancogne
nº 20 — • SPECIAL ISSUE • “Art posters”: The question of the “poster artist”. Authors: Thierry Chancogne, Jérôme Dupeyrat, Mathias Augustyniak
nº 21 — A ski resort: Pierre Faucheux and Les Arcs. From the space to the sign. Author: Catherine Guiral
nº 22 — An original: Laurent Benner’s catalogues for the most beautiful Swiss books. Authors: James Langdon & Andrian Samson
nº 23 — A portrait: The Matser approving of his own work. Author: Ziga Testen
nº 24 — A theater identity: The Schauspielhaus by Cornel Windlin. Authors: Étienne Hervy and Thierry Chancogne
nº 25 — Exhibition views: Jonathan Monk. Author: Remi Parcollet
nº 26 — Production process: Print on Demand. Author: Manon Bruet
nº 27 — Rhizomes of London: Archigram and mental images of the city. Sonia de Puineuf
nº 28 — The conference: a format. Authors: Manon Bruet, Area Of Work
nº 29 — Girls, the Troopers of Dance. Aestheticization of Politics and Manipulation of Entertainment. Author: Alexandra Midal
nº 30 — Types of types: the typographic specimen by Lineto. Author: Olivier Lebrun
Co-Création, French Version, Céline Poulin et Marie Preston
éditions Empire & CAC Brétigny
ISBN: 979-10-95991-06-9
French version
232 pages
155 × 210 mm
soft cover
Design: Syndicat
20 €
2019
Sold out
éditions Empire & CAC Brétigny
ISBN: 979-10-95991-06-9
French version
232 pages
155 × 210 mm
soft cover
Design: Syndicat
20 €
2019
Sold out
Co-Creation is a multifaceted publication that is part of a research initiative into co-creation and socially engaged art practices. Begun in 2013, this long-term initiative has been the work of Céline Poulin (the director of CAC Brétigny) and Marie Preston (artist and teacher-researcher at Université Paris 8), along with Stéphanie Airaud (the director of public outreach and cultural initiatives at MAC VAL). The publication took shape in part around a three-day symposium at MAC VAL and CAC Brétigny, a master’s seminar in Contemporary Art Media Design of Université Paris 8 at Villa Vassilieff, and finally an exhibition at CAC Brétigny.
A new theoretical advance and not simply the proceedings of a symposium, Co-Creation has allowed us to bring together and get out to the public, in France and abroad, the contributions this research project has inspired. No comparable reference work existed in France before the present publication. This book allows us to pursue a dialogue with all those who are contributing internationally to such reflections. It records the development of collective work that is helping to connect French and international universities, art centres, museums, art schools, etc. Different questions raised by co-creation practices and dealt with in earlier iterations are returned to or are treated in greater depth as new ones emerge. What, for example, is the heritage of popular education in co-creation practices? Who is speaking when more than one is in fact speaking? What is at stake in terms of power and statuses in a group that is working together? What kind of private connections and what kind of relationship to daily reality does that involve? What interactions exist between alternative educational methods and co-creation practices? What methodologies of evaluation, aesthetic or not, are possible?
Made up of theoretical and/or personal texts by philosophers, sociologists, anthropologists, artists, and art historians, along with several interviews, this edition is organised around five essential cross-disciplinary themes, namely, conversation, the collective, education, vulnerability, and evaluation.
Editors: Céline Poulin & Marie Preston with the participation of Stéphanie Airaud
Texts: Stéphanie Airaud, Andrea Ancira, Marnie Badham, Virginie Bobin, Caroline Darroux, François Deck, Marie Fraser, Véronique Goudinoux, Núria Güell, Adelita Husni-Bey, Florence Jou, Grant H. Kester, Camille Louis, Pascal Nicolas-Le Strat, Maude Mandart, Christian Maurel, Céline Poulin, Marie Preston, Katia Schneller, Myriam Suchet, Mathilde Villeneuve.
NASA, Danne & Blackburn’s Graphics Standards Manual reprint
ISBN: 979-10-95991-00-7
English/French
164 pages
310 × 232 mm
Black + 1 spot color
5 spot colors swatch
Design: Syndicat
2016
20 €
ISBN: 979-10-95991-00-7
English/French
164 pages
310 × 232 mm
Black + 1 spot color
5 spot colors swatch
Design: Syndicat
2016
20 €
Beyond a simple fascination for NASA, the manual is of interest for several reasons:
— It is an exhaustive presentation of visual identity – from letterheads to the markings on the space shuttle Discovery
— and thus allows the reader to apprehend the different formal, political and technical scales of the use of signs.
— The clarity of its texts which guided the personnel responsible for producing new documents contrasts sharply with the mainstream vocabulary in the communications field today.
— As an object, it is worthy of the interest it has created. It demonstrates the ambition and care taken in its presentation. Its format facilitates manipulation to ensure the organization, comprehension and implementation of the instructions and propositions it contains.