This book traces Jennifer Caubet’s work during her residency at the Centre International de Recherche sur le Verre et les Arts plastiques (Cirva), from 2017 to 2019. Immersed in Cirva’s studio as well as in her own, Jennifer Caubet was able to experience the many variations of the glass material through dialogue with the art center’s team of glass technicians. The sculptural projects she has developed at Cirva question various recurring notions in her work as an artist: how sculpture negotiates the relations to spaces and territories using scale measurements and the interaction with the human body; how gesture and movement determine shape; and where the boundaries between sculpture and landscape lie. Designed as a journey through the gestation stages of her work, the notebooks function as a score, offering, in all transparency, a reading of her preparatory drawings, annotations, studio gestures, and up until her finished works.

Texts: Isabelle Reiher, Lise Guéhenneux, Fabien Faure, Jennifer Caubet

Beyond a simple fascination for NASA, the manual is of interest for several reasons:
— It is an exhaustive presentation of visual identity – from letterheads to the markings on the space shuttle Discovery
— and thus allows the reader to apprehend the different formal, political and technical scales of the use of signs.
— The clarity of its texts which guided the personnel responsible for producing new documents contrasts sharply with the mainstream vocabulary in the communications field today.
— As an object, it is worthy of the interest it has created. It demonstrates the ambition and care taken in its presentation. Its format facilitates manipulation to ensure the organization, comprehension and implementation of the instructions and propositions it contains.

Stud compiles photographs that Aurélie Jacquet and Aurélien Mole shot while they were students at the French National School of Photography, respectively between 2012-2015 and 2000-2003. The images they chose from one another’s archives are staged by Syndicat. Alan Eglinton, a former student from the same school, conducts an interview with Nick Waplington. It sheds light on the notion of the retrospective gaze, which this book might be about. Unless the pictures we’re dealing with here are the kind one takes when learning photography? The publication is composed of 11 booklets of 16 pages. 10 of these booklets are chosen and assembled randomly, making each of the 300 copies unique.

Authors: Aurélien Mole, Aurélie Jacquet, Alan Eglinton, Nick Wapplington, Syndicat