Intuitions, Naço, Marcelo Joulia — Red cover, French Version
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éditions Empire & Le Quadrilatère
ISBN: 979-10-95991-11-3
French
128 pages
145 × 297 mm
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15 €
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éditions Empire & Le Quadrilatère
ISBN: 979-10-95991-11-3
French
128 pages
145 × 297 mm
CMYK
Design: Syndicat
15 €
2018
This catalogue documents a collective exhibition program inspired by the writings of Charles Fourier. “L’Écart absolu” is a dialogue between architecture, artistic heritage and contemporary works, in which artists come together, interact and experiment on the edge of design, visual arts, decorative arts and applied arts.
With Karina Bisch, Nicolas Chardon, Marianne Maric, Dominique Mathieu, Syndicat, We Are The Painters, Atelier Van Lieshout, Aline Bouvy & John Gillis, Stanley Brouwn, Stéphane Calais, Jacques Charlier, Meschac Gaba, Marie Goussé, Teresa Margolles, Superflex, Barthélémy Toguo, Danh Vo, Maarten Van Severen
The sun comes in whenever it wants, Sky Hopinka




















LUMA Arles & éditions Empire
ISBN : 979-10-95991-30-4
French/English
146 pages
16 x 25 cm
CMYK + 3 PMS
Design: Syndicat
28 €
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LUMA Arles & éditions Empire
ISBN : 979-10-95991-30-4
French/English
146 pages
16 x 25 cm
CMYK + 3 PMS
Design: Syndicat
28 €
2022
The sun comes in whenever it wants
An exhibition of the work of Sky Hopinka at LUMA Arles. This publication includes essays by Flora Katz, Vassilis Oikonomopoulos and Diana Flores Ruíz. An interview with Sky Hopinka by Andrea Lissoni and Filipa Ramos.
Every copy is unique: it is composed of seventeen booklets, fifteen of which are randomly bound. Published in an edition of 700 copies, each cover features a different excerpt from the video work Mnemonics of Shape and Reason (2021).
NASA, Danne & Blackburn’s Graphics Standards Manual reprint







ISBN: 979-10-95991-00-7
English/French
164 pages
310 × 232 mm
Black + 1 spot color
5 spot colors swatch
Design: Syndicat
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20 €
ISBN: 979-10-95991-00-7
English/French
164 pages
310 × 232 mm
Black + 1 spot color
5 spot colors swatch
Design: Syndicat
2016
20 €
Beyond a simple fascination for NASA, the manual is of interest for several reasons:
— It is an exhaustive presentation of visual identity – from letterheads to the markings on the space shuttle Discovery
— and thus allows the reader to apprehend the different formal, political and technical scales of the use of signs.
— The clarity of its texts which guided the personnel responsible for producing new documents contrasts sharply with the mainstream vocabulary in the communications field today.
— As an object, it is worthy of the interest it has created. It demonstrates the ambition and care taken in its presentation. Its format facilitates manipulation to ensure the organization, comprehension and implementation of the instructions and propositions it contains.