Intuitions, Naço, Marcelo Joulia — Green cover, French Version
Related products
NASA, Danne & Blackburn’s Graphics Standards Manual reprint
ISBN: 979-10-95991-00-7
English/French
164 pages
310 × 232 mm
Black + 1 spot color
5 spot colors swatch
Design: Syndicat
2016
20 €
ISBN: 979-10-95991-00-7
English/French
164 pages
310 × 232 mm
Black + 1 spot color
5 spot colors swatch
Design: Syndicat
2016
20 €
Beyond a simple fascination for NASA, the manual is of interest for several reasons:
— It is an exhaustive presentation of visual identity – from letterheads to the markings on the space shuttle Discovery
— and thus allows the reader to apprehend the different formal, political and technical scales of the use of signs.
— The clarity of its texts which guided the personnel responsible for producing new documents contrasts sharply with the mainstream vocabulary in the communications field today.
— As an object, it is worthy of the interest it has created. It demonstrates the ambition and care taken in its presentation. Its format facilitates manipulation to ensure the organization, comprehension and implementation of the instructions and propositions it contains.
Artists as Iconographers, 1st edition, Garance Chabert & Aurélien Mole
éditions Empire & Villa du Parc, centre d’art contemporain
ISBN : 979-10-95991-02-1
English / French
342 + 16 pages
125 x 200 mm
Design: Syndicat
Out of stock
22 €
2018
éditions Empire & Villa du Parc, centre d’art contemporain
ISBN : 979-10-95991-02-1
English / French
342 + 16 pages
125 x 200 mm
Design: Syndicat
Out of stock
22 €
2018
For over a century now, iconographer artists have fuelled their approach by tapping into the diversity of images produced by othersand spread through society by industrial means. From collage to the post-internet school, from archival installations to Appropriationist quotation and image constellations, the present book puts these art practices into perspective, focusing on the last forty years, an extraordinarily dynamic period that recently witnessed the invention and development of a new way of disseminating information and images, the internet. Through theoretical texts, artists’ interviews, and exhibition practices, the book maps the connections artists maintain with images and examines emotion as the driving force in our interactions with them.
Editors: Garance Chabert & Aurélien Mole
Texts: François Aubart, Garance Chabert & Aurélien Mole, Ingrid Luquet-Gad, Jan Verwoert.
Interviews: Pierre-Olivier Arnaud, Barbara Breitenfellner, Céline Duval, Haris Epaminonda, Aurélien Froment, Wade Guyton, Camille Henrot, Thomas Hirschhorn, Pierre Leguillon, Jonathan Monk, Clément Rodzielski, Linder Sterling, John Stezaker, Oriol Vilanova, by Timothée Chaillou.
16 page leaflet, Album XIII (excerpt), Luis Jacob, 2015.
The Middle Of The World, by Yonatan Vinitsky
ISBN: 979-10-95991-038
English/French
304 pages
235 × 305 mm
Hardcover
CMYK + 1PMS
290 pre-placed image stickers
Design: Syndicat
70 €
Limited first edition – 500 copies
ISBN: 979-10-95991-038
English/French
304 pages
235 × 305 mm
Hardcover
CMYK + 1PMS
290 pre-placed image stickers
Design: Syndicat
70 €
Limited first edition – 500 copies
Absalon, Yaacov Agam, Alexander Calder, Marc Chagall, Lygia Clark, Naum Gabo, Rupprecht Geiger, Matt Montini, Bruno Munari & Leo Lionni, Ezra Orion, Chana Orloff, David Perlov, Dorothea Rockburne.
A limited edition book by Yonatan Vinitsky in the format of a completed sticker album.
Inspired by popular French and Belgium sticker albums, the book inhabits a place between an artist’s book and historical documentation and re-enactment in the form of a large-scale completed sticker album sculpture. Vinitsky’s publication examines the studios of 14 international artists of the 20th Century, through the collaboration of more than 40 artists, writers, designers, photographers, architects and other related practitioners, working together under the roof of the book.
The 14 studios were selected by Vinitsky from his personal list of art heroes. The book is constructed from newly commissioned texts and visual projects; without the use of any archival material, using performance, illustration, 3D models, photography, scanning, painting, sculpture and various re-enactments in order to ask what the artist studio means today.
Contributors:
David Adika, François Aubart, Ellie Armon Azoulay, Ariella Azoulay, Ewa Bickels, Alice Channer, Héléna de Laurens, Sophie Delpeux, Vanessa Desclaux, Oliver Evans, Jacob Farrell, Ryan Gander, Marie-Ange Guilleminot, Mark Higden, Sam Hryckow, Benjamin Lafore & Sébastien Martinez-Barat, Myriam Lefkowitz, Achim Lengerer, Cédric Libert, Mathieu Loctin, Rebecca May Marston & Barnie Askew Page, Susan Meiselas, Aurélien Mole, Hans Ulrich Obrist, Ourie Ophir Azoulay, Émile M. Ouroumov, Janina Pedan, Florent Pierre, Pierre-Alain Poirier, Élodie Royer & Yoann Gourmel, Karin Ruggaber, Tom Shay, Moran Shoub, Sam Thorne, Ben Toms, Emilia Vinitsky Armon, Jonathan P. Watts, Hugo Wheeler, Jennifer Winkworth, Raphaël Zarka.