Intuitions, Naço, Marcelo Joulia — Blue cover, French Version
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Revue Faire, Season 3, 2021-2023
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Each 15 days from Octobre 2021 to February 2023
English/French
20 pages and sometimes more
210 × 297 mm
CMYK or sometimes more
Saddle stitched binding
Design: Syndicat
7€ or 14€ per issue
15 issues Subscription: 90€ (shipping included)
Each 15 days from Octobre 2021 to February 2023
English/French
20 pages and sometimes more
210 × 297 mm
CMYK or sometimes more
Saddle stitched binding
Design: Syndicat
7€ or 14€ per issue
15 issues Subscription: 90€ (shipping included)
Forthcoming issues:
n°31 — An Edition: The Serving Library. Interview with Stuart Bertolotti-Bailey by James Langdon — available
n°32 — A Graphic Designer and Illustrator: Bráulio Amado. Author: Manon Bruet — available
n°33 — Ligneous, tentacular forms: Decorative invasions and man eating plants. Author: Camille Pageard — available
n°34 — An award: What is a most beautiful book? Author: Thierry Chancogne — available
n°35 — An eye: artists’ view of the modern world 1911 – 1938. Author: Sonia de Puineuf — available
n°36 — Photography suspended: Herbert Bayer. Author: Remi Parcollet — available
n°37 — A polygraph: Georges Nelson. Author: Catherine Geel — available
n°38 — A debate: Jan Van Toorn / Wim Crouwel. Author: Thierry Chancogne — available
n°39 — A series of cards and performances: My Calling (Card) #1 #2 #3 by Adrian Piper. Author: Jérôme Dupeyrat — available
n°40 — A collaboration: Les Urbaines & Eurostandard. Author : Manon Bruet — available
n°41 — The Image of Fashion: Forget (fashion) photography? Author: Aude Felley — available
n°42 — 12 or 13 things I know about: F.R.DAVID. Authors: Victoire Le Bars et Benjamin Thorel — available
n°43 — A typeface: “Typographic writing”. Author: Thierry Chancogne — Forthcoming
n°44 — A conundrum: the visual communication of neuroscience. Author: James Langdon — Forthcoming
n°45 — Made Redundant. (4 templates). Author: Stuart Bertolotti-Bailey — Forthcoming
Revue Faire Special Issue: Artists Posters, Thierry Chancogne, Jérôme Dupeyrat, Mathias Augustyniak
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ISBN: 979-10-95991-21-2
72 pages
21 × 29,7 cm
English/French
CMYK + 1 PMS
Design: Syndicat
14 €
2020
ISBN: 979-10-95991-21-2
72 pages
21 × 29,7 cm
English/French
CMYK + 1 PMS
Design: Syndicat
14 €
2020
On the occasion of a visit to the exhibition at the MRAC Occitanie / Pyrénées-Méditerranée entitled Honey I rearranged the collection, Jérôme Dupeyrat and Thierry Chancogne continue their discussion of the controversial relationships that exist between art and Graphic Design, based on a historical collection of “artists’ posters”.
The artist’s poster or affiche is at once the traditional medium used to advertise artistic events, produced by the artists themselves, the historical medium of a certain passion for French-style painted posters and the desire of a particular artistic practice to democratize art, the symptom or symbol of potential new relationships between Graphic Design and art in an era where artists have acquired a new graphic culture and Graphic Designers a new artistic ambition.
The thematic exchanges nourished by theoretical, artistic, and graphic references taken from recent and contemporary history are punctuated by thoughts from Mathias Augustinyak, based on his experiences with designing posters for artists, artist posters, artistic posters, and the art of the poster.
Authors: Thierry Chancogne, Jérôme Dupeyrat, Mathias Augustyniak
Feat John Baldessari, Richard Hamilton, Jenny Holzer, Allan Kaprow, Christophe Lemaitre, M/M (Paris), Michael Riedel, Sturtevant
Revue Faire Special Issue: A debate: Jan Van Toorn / Wim Crouwel. Author: Thierry Chancogne
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ISBN: 979-10-95991-29-8
64 pages
21 × 29,7 cm
English/French
CMYK + 1 PMS
Design: Syndicat
14 €
2022
ISBN: 979-10-95991-29-8
64 pages
21 × 29,7 cm
English/French
CMYK + 1 PMS
Design: Syndicat
14 €
2022
Our scene is set in the Museum Fodor in Amsterdam on November 9th, 1972. We are told that it was “smoky, noisy and crowded”, and that the gathered audience made its presence felt through “frequent shouting”. The center of this fevered arena hosted the encounter between two Graphic Designers, two graphistes, two typographers, Wim Crouwel and Jan Van Toorn, in a country where their voices carry, where their thinking is important. A meeting, a conversation, or rather a confrontation, a controversy, it has been described as a debate, one that characterizes the way in which our discipline was represented in the 1980s and that continues to echo today.