Intuitions, Naço, Marcelo Joulia — Blue cover, French Version
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Revue Faire Special Issue: Artists Posters, Thierry Chancogne, Jérôme Dupeyrat, Mathias Augustyniak













ISBN: 979-10-95991-21-2
72 pages
21 × 29,7 cm
English/French
CMYK + 1 PMS
Design: Syndicat
14 €
2020
ISBN: 979-10-95991-21-2
72 pages
21 × 29,7 cm
English/French
CMYK + 1 PMS
Design: Syndicat
14 €
2020
On the occasion of a visit to the exhibition at the MRAC Occitanie / Pyrénées-Méditerranée entitled Honey I rearranged the collection, Jérôme Dupeyrat and Thierry Chancogne continue their discussion of the controversial relationships that exist between art and Graphic Design, based on a historical collection of “artists’ posters”.
The artist’s poster or affiche is at once the traditional medium used to advertise artistic events, produced by the artists themselves, the historical medium of a certain passion for French-style painted posters and the desire of a particular artistic practice to democratize art, the symptom or symbol of potential new relationships between Graphic Design and art in an era where artists have acquired a new graphic culture and Graphic Designers a new artistic ambition.
The thematic exchanges nourished by theoretical, artistic, and graphic references taken from recent and contemporary history are punctuated by thoughts from Mathias Augustinyak, based on his experiences with designing posters for artists, artist posters, artistic posters, and the art of the poster.
Authors: Thierry Chancogne, Jérôme Dupeyrat, Mathias Augustyniak
Feat John Baldessari, Richard Hamilton, Jenny Holzer, Allan Kaprow, Christophe Lemaitre, M/M (Paris), Michael Riedel, Sturtevant
Pain Liquide Magazine issue 1, by Simon Nicaise














ISBN: 979-10-95991-27-4
French
100 pages, 21 × 29,7 cm, CMYK + 1 PMS on cover
soft cover, perfect binding
2022
ISBN: 979-10-95991-27-4
French
100 pages, 21 × 29,7 cm, CMYK + 1 PMS on cover
soft cover, perfect binding
2022
Texts: Damien Airault, Stanislas Colodiet, Gilles Furtwängler, Jean-Yves Jouannais, Pierre Oudart, Julie Portier, Camille Richert, Théo Robine-Langlois, Elsa Vettier et Emilien Chesnot, Laurence Wagner.
Grand Bazar, choix de Jean-Hubert Martin dans la collection Antoine de Galbert



















éditions Empire & Chateau d’Oiron, Centre des Monuments Nationaux
ISBN : 979-10-95991-26-7
French / English
160 pages
CMYK + 2 Pantone ©
215 × 27,5 mm
Hard cover
Design: Syndicat
Photos: Julia Andréone
24 €
2021
éditions Empire & Chateau d’Oiron, Centre des Monuments Nationaux
ISBN : 979-10-95991-26-7
French / English
160 pages
CMYK + 2 Pantone ©
215 × 27,5 mm
Hard cover
Design: Syndicat
Photos: Julia Andréone
24 €
2021
The exhibition catalogue for the Château d’Oiron presents more than 170 artworks from the collection of Antoine de Galbert, placed in such a way as to dialogue with the permanent collection of contemporary art Curios & Mirabilia, assembled by the same Jean-Hubert Martin in 1993. The collection of Antoine de Galbert is deployed in exhibition galleries according to themes inherent to it, with great importance being attached to the eye, the face and its expressions, and to injuries. The confrontation of these two collections and the dialogue established between the two men give rise to new effects of surprise in the catalogue thanks to collages that are as frontal as they are playful. The catalogue displays all of the artworks presented in the space, including From here to ear by Céleste Boursier-Mougenot whose music can be heard within these 16th century walls. A number of artists are featured in both collections: Hubert Duprat, Markus Raetz, Wim Delvoye, Annette Messager, Christian Boltanski, Marina Abramovic, Bertrand Lavier, Nicolas Darrot… Others have onlyrecently entered Oiron: Théo Mercier, Gilles Barbier, Stéphane Thidet, Barthélémy Toguo, Jackie Kayser, Steven Cohen