Forthcoming issues:

n°31 — An Edition: The Serving Library. Interview with Stuart Bertolotti-Bailey by James Langdon — available
n°32 — A Graphic Designer and Illustrator: Bráulio Amado. Author: Manon Bruet — available
n°33 — Ligneous, tentacular forms: Decorative invasions and man eating plants. Author: Camille Pageard — available
n°34 — An award: What is a most beautiful book? Author: Thierry Chancogne — available
n°35 — An eye: artists’ view of the modern world 1911 – 1938. Author: Sonia de Puineuf — available
n°36 — Photography suspended: Herbert Bayer. Author: Remi Parcollet — available
n°37 — A polygraph: Georges Nelson. Author: Catherine Geel — available
n°38 — A debate: Jan Van Toorn / Wim Crouwel. Author: Thierry Chancogne — available
n°39 — A series of cards and performances: My Calling (Card) #1 #2 #3 by Adrian Piper. Author: Jérôme Dupeyrat — available
n°40 — A collaboration: Les Urbaines & Eurostandard. Author : Manon Bruet — available
n°41 — The Image of Fashion: Forget (fashion) photography? Author: Aude Felley — available
n°42 — 12 or 13 things I know about: F.R.DAVID. Authors: Victoire Le Bars et Benjamin Thorel — available

n°43 — A typeface: “Typographic writing”. Author: Thierry Chancogne — Forthcoming

n°44 — A conundrum: the visual communication of neuroscience. Author: James Langdon — Forthcoming
n°45 — Made Redundant. (4 templates). Author: Stuart Bertolotti-Bailey — Forthcoming

For over a century now, iconographer artists have fuelled their approach by tapping into the diversity of images produced by othersand spread through society by industrial means. From collage to the post-internet school, from archival installations to Appropriationist quotation and image constellations, the present book puts these art practices into perspective, focusing on the last forty years, an extraordinarily dynamic period that recently witnessed the invention and development of a new way of disseminating information and images, the internet. Through theoretical texts, artists’ interviews, and exhibition practices, the book maps the connections artists maintain with images and examines emotion as the driving force in our interactions with them.

Editors: Garance Chabert & Aurélien Mole
Texts: François Aubart, Garance Chabert & Aurélien Mole, Ingrid Luquet-Gad, Jan Verwoert.
Interviews: Pierre-Olivier Arnaud, Barbara Breitenfellner, Céline Duval, Haris Epaminonda, Aurélien Froment, Wade Guyton, Camille Henrot, Thomas Hirschhorn, Pierre Leguillon, Jonathan Monk, Clément Rodzielski, Linder Sterling, John Stezaker, Oriol Vilanova, by Timothée Chaillou.
32 pages leaflet, Turmoil, Batia Suter, 2020, layered reproductions excerpt from a series in progress, various size. Courtesy of Batia Suter.

This book traces Jennifer Caubet’s work during her residency at the Centre International de Recherche sur le Verre et les Arts plastiques (Cirva), from 2017 to 2019. Immersed in Cirva’s studio as well as in her own, Jennifer Caubet was able to experience the many variations of the glass material through dialogue with the art center’s team of glass technicians. The sculptural projects she has developed at Cirva question various recurring notions in her work as an artist: how sculpture negotiates the relations to spaces and territories using scale measurements and the interaction with the human body; how gesture and movement determine shape; and where the boundaries between sculpture and landscape lie. Designed as a journey through the gestation stages of her work, the notebooks function as a score, offering, in all transparency, a reading of her preparatory drawings, annotations, studio gestures, and up until her finished works.

Texts: Isabelle Reiher, Lise Guéhenneux, Fabien Faure, Jennifer Caubet